Category Archives: Blog

Force-Directed Graph outputs examples

Just need somewhere to stash these various layouts from various algorithms from various Force-Directed graph projects.

And remember – just because a data visualisation is pretty doesn’t mean it is useful.

Corporates and their officers. Data from https://opencorporates.com/
Corporates and their officers. Data from https://opencorporates.com/

dc.js + crossfilter.js + d3.js = huh? Part II

As I began my first explorations of dc.js and crossfilter I was more than a little baffled by the need for dc.js and crossfilter and then realised that dc.js has native support for crossfilter. Doh!

I then found this great Hacker News discussion about how dc.js, crossfilter.js and d3.js relate to each other. Below are a few quotes but you really should read the whole thing.

Love the paintbrush description of D3. I only realised this after spending an awfully long time coding a bar chart in D3… Ooops! But I was learning D3 at my kitchen table – that’s my excuse and I am sticking to it.

“dc.js is the ‘glue’ that holds d3 and crossfilter together. So I can create a crossfilter, generate multiple dimensions, group those dimensions, then render multiple charts.”

“D3 is like a paintbrush — you can make anything with it if you’re DaVinci, but it’s a very low-level tool so you need to be a master if you want to make anything that’s not my drippy kindergarten giraffe drawing.”

“The benefits of crossfilter or dc.js over plain d3.js is the layer of abstraction making it easier to use.

“Crossfilter seems really cool – but since it’s another library, what is it that Dc is offering?”

“dc.js sits on top of D3 and provides glue that between multiple D3 charts and crossfilter”

“dc.js marries crossfilter.js with d3.js — that’s it in a nutshell.”

Does any of that make any sense?

No? Well it should come as no surprise to anyone who has recently learned D3 that the best explanation comes from the great D3 Noob resource.

This is the D3 Noob explanation which I think is the best I explanation of the dc.js + crossfilter.js + d3.js thing that I have read:

“…crossfilter isn’t a library that’s designed to draw graphs. It’s designed to manipulate data. D3.js is a library that’s designed to manipulate graphical objects (and more) on a web page. The two of them will work really well together, but the barrier to getting data onto a web page can be slightly daunting because the combination of two non-trivial technologies can be difficult to achieve.

This is where dc.js comes in. It was developed by Nick Qi Zhu and the first version was released on the 7th of July 2012.

Dc.js is designed to be an enabler for both libraries. Taking the power of crossfilter’s data manipulation capabilities and integrating the graphical capabilities of d3.js.”

Better? Good. Next thing is to have a look at this Bare bones structure for a dc.js and crossfilter page then read this excellent explanation of Crossfilter, dc.js and d3.js for Data Discovery and then read this Introduction to dc.js.

There are times when I wonder how I learned coding before the existence of the interwebs and people who share their knowledge so freely.

Then I remember it was my friends on my Artificial Intelligence course who helped me get my head around Prolog’s tail end recursion.

Further reading

Mixing emotion and statistics to tell the data story

It is rare to get a press release that has everything needed to tell a story, let alone a data story.

A few weeks back I noticed an interesting data story from Barnardo’s UK in a local newspaper in sarf lunnun (or South London if you don’t speak the East End patois).

Getting in touch with Dan at Barnardo’s I soon had a press release with real facts in, a cracking model released image and some interesting data.

Even data references! How unusual is that?

Below is the result of my work.

barnados graphic 01-02

The image was a little too tight for my liking so had to use context-sensitive fill in Photoshop and more than a little retouching to give myself a few more valuable pixels on the right hand side.

At the same time I wanted the typography and data to intrude onto the boy’s image.

I tried various styles of bar chart, most of them very slight variations on the finished result, the main option being a yellow key line around the ’81 families in Tower Hamlets’ bar.

Barnardo’s liked what I had done and it helped to get the reality of life behind statistics out there.

Here is the story on my hyperlocal site Love Wapping.